I had always viewed the area as a crucial black artistic enclave. It had nurtured some of the most important African-American talents of the past two decades, from Wynton Marsalis and Chris Rock to Erykah Badu. And the neighborhood became the centerpiece of this black alternative vision precisely because it was a place where many whites were afraid to go. While Harlem carried the weight and burden of its celebrated past, Fort Greene was where young black artists were freer to concoct a new synthesis of the old and the new, in film, music and literature.
This blog post reflects the opinions of the author and does not necessarily represent the views of Brooklyn Public Library.
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